"11/22/63" by Stephen King
- mvhwriting
- Feb 12
- 2 min read
Updated: Feb 16

I’ll be honest: reading 11/22/63 was not my idea. But back in October of 2024 when I was breaking my stubborn promise never to read Stephen King, my habit of bringing books to rehearsals gained the attention from one particular, friendly, rosy cheeked, bespectacled old man that I adore. He forcibly lent me one book once before that I attempted to read, then pretended to read, then returned with the same “mmm” sound you might make to an old lady at a potluck whose hopeful eyes cannot be crushed, but whose casserole cannot be complemented. Needless to say I didn’t really trust his recommendations. But this sweet gentleman noticed The Body and brought me the massive tome that is 11/22/63.
I sat on this book for at least two, maybe three months. I promised myself I would at least attempt it. Then I promised myself I would finish every book I started in 2025. And then those two promises collided, and I balked at the 849 page count (maybe I could skip the afterword…). And then I decided I had to finish before choir resumed so I could return the book and not waste any more of my year on Stephen King. So after reading a few reviews to make sure I could really sink myself into this journey, I commenced a marathon on January 12 with hopes of finishing by choir rehearsal on February 3.
Here is what happened: I started the book worried that Jake Epping or Al Templeton or George Amberson would be the spitting image of old-man fiction with old-man emotional intelligence and old-man politics. I fell into the adventure without realizing and started covering ground without looking at page numbers. My free time was gleefully spent hiding away consuming this novel rapidly. I finished on January 31 and I finished both with heartache for the main character and withdrawal from the story.
Some reviews say that King ruined the end, but I think those people don’t know how to let life be beautiful in its pain and I don’t think there was any other way to end. Many reviews say that this novel stands out from the rest of his work. It’s considered sci-fi, historical fiction, not really horror. At its core, this book is a love story that broke my heart. Page 616 says it best:
For a moment everything was clear and when that happens you see that the world is barely there at all. Don’t we all secretly know this? It’s a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dream block chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark. -Stephen King

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